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6/28/08 The 1939 film served as the main inspiration for Annie
Leibovitz’s shoot for this month’s Vogue. The young actress Keira
Knightley was chosen to step into Judy Garland’s ruby slippers—not
to mention a variety of top designers’ takes on her gingham frock.
Knightley may hail from across the ocean and lack the barely hidden
sadness that made Garland’s performance so heartbreaking, but her
smile is as wide open as the Midwest.
To give The Wizard of Oz’s iconic characters fresh life and new
meaning, Vogue assembled an A-team of contemporary artists, whose
images have become part of our collective visual consciousness.
Jasper Johns, whose boldly painted maps, targets, and flags helped
lead his contemporaries away from Abstract Expressionism and
pointed ahead to Pop Art and Minimalism, appears here in good humor
as the Cowardly Lion. And John Currin, who famously keeps an ironic
distance from his subjects in paintings widely hailed for their technical
virtuosity, is the Tin Man, following the Yellow brick Road in search of
a heart.
Leibovitz’s shoot for this month’s Vogue. The young actress Keira
Knightley was chosen to step into Judy Garland’s ruby slippers—not
to mention a variety of top designers’ takes on her gingham frock.
Knightley may hail from across the ocean and lack the barely hidden
sadness that made Garland’s performance so heartbreaking, but her
smile is as wide open as the Midwest.
To give The Wizard of Oz’s iconic characters fresh life and new
meaning, Vogue assembled an A-team of contemporary artists, whose
images have become part of our collective visual consciousness.
Jasper Johns, whose boldly painted maps, targets, and flags helped
lead his contemporaries away from Abstract Expressionism and
pointed ahead to Pop Art and Minimalism, appears here in good humor
as the Cowardly Lion. And John Currin, who famously keeps an ironic
distance from his subjects in paintings widely hailed for their technical
virtuosity, is the Tin Man, following the Yellow brick Road in search of
a heart.
